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Kim signed with Rumble and needed a daily show built from nothing. I moved to LA, built the studio in her house, and ran the full production for a year: LIVE five days a week, guests, produced segments, clips. She went from zero to 200K+ subscribers on Rumble and 300K to 800K+ on YouTube, and the deal the show was built around got renewed near seven figures. When I left, the system kept running.

OMG had the funding, the team, and a host with an audience already waiting. What they didn't have was systems: every episode was a fire drill and three showrunners had cycled through without fixing it. I took ownership and built the whole thing out, a branding guide, thumbnail templates, and processes for pre-production, live production and post. Then I launched On The Inside with James O'Keefe: script, run of show, live switching. The clips I directed pulled millions of views across OMG's platforms.

Craig and Fiorella were naturals on camera, but they were streaming from a basement on a green screen to 2 or 3 live viewers, so nobody could take them seriously. An outside studio cost $500 an episode and cheap editors couldn't hold it together. I took over the livestream and rebuilt the show piece by piece while it ran: graphics, video, live guests, branding, format, consistency, until every week it looked more like television. They went from under 50 subscribers to over 114,000, millions of views, five figures a month from content and memberships, presidential candidate interviews, and speaking invitations around the country. This show is the reason Visionsetters exists.

Craig came back to me for the third time with a new concept, Wake Up America: four voices from across the political spectrum debating the biggest issues in the country, and a shot at getting it picked up by an international network. It needed to look like television immediately, because a network looking at a show doesn't wait around. I mapped the entire show out, scripting, production and editing down to the exact segment and length, plus what to post to get views, then took over posting with a social media manager. On brand new accounts the reels averaged 1,000 views from the first one posted, with the top reel hitting 12K on TikTok, 9.7K on Instagram, 8K on X and 5K on YouTube Shorts.

Josh is a coach and author who had been talking about starting a podcast for six years. He knew exactly what he wanted, but the production, branding, editing and tech held no interest for him. He just wanted to talk and look great doing it. I built Path of Kings from the ground up: branding, colors, fonts, logo, intro and outro, framing, and the systems behind it, then showed up with the plan so all he had to do was talk. On a brand new account with zero subscribers, his first viral reel hit 22,000+ views on Instagram in two weeks, and the studio I built started drawing compliments from clients and prospects on every Zoom call. In his words: "I ended up just showing up to the meetings. I don't have to do anything else."

An experimental sports-media project born from pure personality friction. Craig Jardula and Ronnie Rose, two loud, unapologetic New York Jets fans who rarely agreed on anything, were put in front of cameras and microphones with no filter and no script. I took their raw energy, unstructured opinions, and on-camera presence and transformed it into a fully produced show with defined pacing, structure, and broadcast standards. Produced in March 2019, The Jets Cast served as a proof-of-concept in turning unrefined passion into a legitimate, repeatable show format, demonstrating how strong personalities, when properly produced, can become compelling media.